I am all over the videos produced by Jeff Schneider on youtube.  A lot of the videos are sax and piano, but the information, licks and exercises are all useful for guitar.  Just make sure you understand which are the concert notes are when he is playing sax.

Here is  a great scale warm up -- Best Warm Up Exercise When Time is Limited.

R, 2, 3, #4, 5, #4,  3, 2, R (Lydian)
R, 2,  3, 4, 5, 4, 3, 2, R (Ionian, Major)
R, 2, b3, 4, 5, 4, b3, 2, R (Minor)
R, b9, b3, 4, 5, 4, b3, b9, R (Phrygian Minor)
R, b9, b3, 4 b5, 4, b3, b9, 7 (Locrian, Half-Diminished -- down to next root one semi-tone down)

Start again with the last note as the new root.




This pdf is inspired by Ted Greene's "Essential Chords" for jazz, from his "Chord Chemistry" book.

If you are just starting out learning jazz chords, I would begin with the Jimmy Bruno method: jazzguitarjourney.weebly.com/blog/inversion-jimmy-bruno-method

Like a lot of revered Jazz Tomes, Ted Greene's Chord Chemistry is a bit hard to navigate for a beginner.  It's much more useful to go through this book with a good teacher and understand the inversions Mr. Burno teaches first.  Chord Chemistry was too much for me when I picked it up -- I didn't know exactly how chords were constructed, how they got their names, what their functions were, etc.  The Jimmy Bruno method made tons more sense to me and increased my vocabulary in a meaningful way.

The best way to approach Ted's Essential Chords is just to go through them one by one, with some examination on how each are constructed.  I don't know if this is a great compendium to learn the chords by rote.  Instead, go through the whole lot in sequence and see what you discover. Let the process kind of "wake up" your "chord consciousness," so to speak.  Try and find each chord on your neck where 'A' is the root (that's mostly what Ted used as an example). Some won't work on all parts of the neck. Some I can't finger at all.  Still, see where the notes are in relation to the governing key the chord is in. Use the hollow green dots to finger other versions of the chord idea and discern what those intervals are to the root.  Don't spend too much time memorizing each chord at first -- just examine, listen, and move to the next chord. Get a feel for how to alter a chord by adding the 6(13), 9(2), or altering the 5. If you find a chord that sounds particularly good to you, maybe make a note of it as something to practice in a progression, like a 2-5-1.

I think the 'Essential Chords' were mostly designed just to canvas the possibilities of the unabridged jazz-chord dictionary.  For more advanced players, you might experience satori on how different fingerings are connected, or new possibilities the fretboard offers.

Here is a giant PDF of Scales and Modes visualized horizontally several ways.  As well as getting each position of a scale under your fingers -- where you can quickly visualize it vertically -- it is also helpful to be able to see the scales horizontally on the neck.  Loop your iReal or other helper on an appropriate chord and noodle with each of these pages.  This document can also help you visualize double stops and other horizontal-vertical configurations.

The following scales are included in this doc:

•  Ionian
  
• Dorian
• Phrygian
• Lydian
• Mixolydian
  
• Aeolian
• Locrian
• Altered
• Harmonic Minor
• Melodic Minor
• Lydian Dominant
• Phrygian Dominant

Here is a giant PDF of scales and mode positions to practice.  This doc contains the following scales:

• Ionian
• Dorian
• Phrygian
• Lydian
• Mixolydian
• Aeolian
• Locrian
• Altered
• Harmonic Minor
• Melodic Minor
• Symmetrical Diminished
• Lydian Dominant
• Phrygian Dominant

Each scale has patterns in a 'mode box' -- positions where each of the seven modes start on the 6th string.

Additionally, this document contains most of the same scales with handy fingerings including diagonal scales.